Kaunaʻ oa Beach

by Leilehua Yuen

Feature photo credit: Island of Hawaii Visitors Bureau (IHVB) / Tyler Schmitt

Often found inhabiting lists of the top beaches in Hawaiʻ i, Kaunaʻ oa [kah-oo-nah OH-ah] is probably one of the closest beaches to the mental image of sparkling turquoise water gently laving the shore of a white sand tropical paradise. It is gorgeous.

Because the Mauna Kea Beach Hotel was built on its edge, some people call it Mauna Kea Beach. Say “MAH-oo-nuh KEH-ah,” NOT “mana kay-uh” or “mana kee-uh.” Mauna translates to English as “mountain.” Mana translates as “supernatural power,” among other things. Kea translates as “white,” at least for the short version I’m going to post here. Keep an eye out for a post on our beloved mountain!

The correct name for the site, however, is “Kaunaʻ oa,” and so that is what we shall use here.

Kaunaʻ oa Beach probably is named for the kaunaʻ oa shellfish (Vermetidae or tubeworms), and the native dodder (Cuscuta sandwichiana). In my lifetime, the shellfish as been more commonly found there than the dodder, as few native Hawaiian plants remain in the area. It is possible that prior to development both the shellfish and the dodder were abundant there.

Growing up, we were taught that a cut from the kaunaʻ oa kai (“ocean kaunaʻ oa,” the shellfish) was terribly poisonous. You often will find these coiled shells firmly attached to rocks near the shore. Running about barefoot, I once stepped on one which punched a hole in my foot, removing a plug and leaving behind a terrible infection which required a long course of antibiotics. Sharp as razors, those critters!

By Wilson44691 – Own work, CC0, https://commons.wikimedia.org/w/index.php?curid=37588453

The kaunaʻ oa kahakai (“shoreline kaunaʻ oa,” the dodder) is a beloved lei plant. Its waxy sherbet-orange tendrils are twisted in the wili, hili, or hilo styles of lei. It also is a traditional medicinal plant.

Photographers: Forest & Kim Starr. Images created by Forest Starr and Kim Starr are licensed under a Creative Commons

Knowing the correct names of places tells us a lot about them. Names can contain history, knowledge of the environment, and the importance of an area to those who came before us. So, this beach may once have been abundant with kaunaʻ oa of one or both kinds. Was it possibly an important place for harvesting the medicine? Does the kaunaʻ oa kai have some medicinal property we have forgotten about? So many questions to explore!

In traditional Hawaiian poetry, of which the Kumulipo is one of the most well-known examples, in one section paired couplets explore the relationship of land life and sea life. Hawaiian taxonomy is not based in a “vertical” hierarchy as in Linnean taxonomy, but in a “lateral” network of relationships. By observing the behavior of land-based life forms, we can understand sea-based life forms, and vice-versa. And so Hawaiian understanding looks at the relationship between the kaunaʻ oa kahakai and the kaunaʻ oa o ke kai – the land forms and the sea forms of kaunaʻ oa.

Both the land and sea forms have curling tendrils and can form clustered communities in their habitats. Both provide habitat for other species. Both grow near the kahakai – the edge of the sea. Our ancestors had a deep relationship with their environment developed over generations of careful observation. It behooves us to preserve and reclaim their knowledge and wisdom!

Students of Kamehameha Schools created this animation of the opening lines of the Kumulipo.

Amenities

The Mauna Kea Beach Hotel at the Kohala end of the beach has many amenities available. Dean Itagaka’s June 2018 photo shows the lūʻ a u torches my family and I handcraft!

The hotel opened in 1965. Rockefeller’s original concept was a cluster of individual cottages, with no televisions or air-conditioning to interfere with the natural environment of the Kohala Coast. Architects Skidmore Owings Merrill produced a dome-shaped model that was nearly washed out by a tropical storm, so a single building mid-century modern design was refined by lead architect Charles Bassett to take advantage of tropical breezes and ocean views, but added air conditioning. From 1965 until 1995, the hotel operated without guest room televisions, just as Rockefeller intended.

Safety

Use especial care when swimming, snorkeling, or even just relaxing on the shoreline in the winter months, as the waves can be quite high, pounding in the shore break, and there is a strong rip current.

Tsunami Warning Signs

As with all beaches, if you see the tide going way out, exposing more of the beach than the usual low tide, it’s time to head inland. That is a sign of a possible tsunami.

  • Earthquake
  • Unusually low receding of the water
  • Unusually rapid or high incoming surge
  • Odd looking currents or whirlpools
  • Unusual sounds coming from the water

Learn more at the Pacific Tsunami Museum website.

It’s Isaac Hale, not Isaac Hale, Beach Park

Pronounce it HAH-lay. The park on the shores of Pohoiki is named for the beloved son of its sands, Isaac Kepoʻ okani Hale. The little old house there sheltered generations of his family. The home remains a private residence. Please respect the privacy of the family and stay off of their property.

To learn a bit about Pohoiki, read this excellent article by Marcia Timboy.

Isaac Hale Beach Park is named in honor of Private Isaac Kepookani Hale (20 Sept 1928 – 12 July 1951). During the Korean War Hale served in the United States Army’s 19th Infantry Regiment, 24th Infantry Division. He was a recipient of the Medal of Honor for his meritorious service, and of the Purple Heart. He was killed in action north of the 38th parallel on July 12, 1951.

A record of him may be found in the Korean War Project using Key No: 11837.

Hale is a Hawaiian surname and is pronounced HAH-leh. According to a family member, the name Hale originally was longer but, like many Hawaiian names, was truncated.

Pohoiki Bay was long a favored surfing and fishing location known for its strong currents, large waves, and boat ramp.

Until the 2018 lower Puna eruption it was a popular snorkeling site. The park had been expanded and modernized in 2006. Lava from the eruption covered much of the coral and safe ocean access. The flow never completely covered the park, and left the lava front a few hundred feet away from the boat ramp. The boat launch is now partially buried under a new black sand beach that extends along Pohoiki Bay and impounds a geothermal pool accessible from the park.

The park is located at the intersection of Pohoiki road and the Kapoho-Kalapana road (Hawaii state route 137).

For information on camping, visit the County of Hawaiʻ i Parks and Recreation website.

Are you interested in learning more about Hawaiian culture and arts? You just might enjoy the following Patreon pages:

Kaʻ ahele Hawaiʻ i – The support page for this site. Subscribe and get to see posts early and join talk-story sessions with Kumu Leilehua.

Kilo HōkūLearn some Hawaiian perspectives on the Hawaiian sky, stars, Moon, planets, and various phenomena with Kumu Leilehua Yuen.

Kaula and Kaʻ ā – the ties that bind

by Leilehua Yuen

Making kaʻ ā (thread) and kaula (rope) is an important cultural art that gets little recognition these days. In times past, the art of the kaula was functional, metaphorical, and bound together many aspects of Hawaiian culture.

Myra English, Sonny Chillngworth and Billy Hew Len – Mele title/s are .”Kaula ʻ Ili” also known as “Puʻ uhluhulu” or “Kanaka Leo Nui” mahalo to Maria Hickling for the mele title/s and history – from Kokua Films Hawaii.

I originally learned to make kaula from dry lāʻ i, dry leaves of Cordyline fruticosa. It was a handy way to make a temporary rope from an easily-available material. In my childhood, tī was found growing in almost every garden, and the long leaves fell daily and needed to be cleaned up, so they were always handy to make rope from when needed.

Years later, I was working at Puʻ uhonua o Hōnaunau National Historical Park as a cultural demonstrator. Rose Fujimori took me in hand and taught me about traditional Hawaiian cordage.

There are many materials which can be used for making kaula and kaʻ ā. Among them are: lāʻ ī, olonā (touchardia latifolia), niu (Cocos nucifera), ule hala (Pandanus tectorius), ʻ ahuʻ awa (native Hawaiian Carex and Cyperaecea), and hau (Hibiscus tiliaceus). Each type of material has its own strengths and weaknesses.

May be an image of nature
This hau tree extends over a roadway. Recycled power cordage is used as a tie-off to prevent it falling into the road when it is cut.
May be an image of nature
The cut branches of the hau tree are dragged into the yard.
May be an image of 2 people, people standing, tree and outdoors
Student Charis with a branch of hau which will be stripped for its bast, which will be used in lei making and other traditional arts and crafts.
May be an image of 1 person and outdoors
A pile of stripped bark ready to separate by fineness.
May be an image of outdoors
Coarse outer bark and fine inner bark.
No photo description available.
Kaʻ ā – thread – made from the hau bast.
May be an image of outdoors
A coarse kaula – rope – made from the rough outer bark of hau. Strong and functional, but even better kaula can be made from hanks of the bast.